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Matthew," as well as by the austerely allegorical "Teorema"), but because he forces us to keep shifting critical gears. At best, they come in pairs, like "Oedipus Rex" and "Medea," neither of which have yet been released here.
There is, however, a peculiar kind of romanticism throughout all of his films.
Pasolini's "Decameron" is faithful to the original texts, but it is not Boccaccio's. I must say that, at the beginning of the movie, I feared we were in for another one of Franco Zefferelli's rather fruitily lush, medieval window displays. However, because Pasolini is a sterner poet than Zefferelli, "The Decameron" becomes an epic, instead of just another unruly and inverted fashion show. The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers.It represents the percentage of professional critic reviews that are positive for a given film or television show.
It is a middle-class romanticism that idealizes the spiritual and emotional freedom that Pasolini sees in what we used to call The Common Man, who, in slightly more straightforward, class-conscious Europe, is still The Peasant.